His father taught him his printing skills when he was very young. Giambattista Bodoni (Saluzzo, Italy, 1740 – Parma, 1813) was an Italian painter and typographer, author of several famous typefaces that are still used today. Notable examples could be Firmin Didot, Bodoni, Fenice.

Modern types are imposing too large bodies, but they show a certain lack of legibility when breaking the eyes of the character, optically or truly, when composing small bodies and in blocks of running text. During the 20th century, numerous updates of this type have been made, with the intention of preserving these qualities and making them more efficient in terms of their demand for space. The shining and contrasting qualities of the guy. The Bodoni typeface took full advantage of this design approach, with generous use of white space that made it stand out magnificently. It is characterized by extreme contrast between the thick lines and some of the characters and by a strong vertical modulation, which makes it necessary to use them with a wide line spacing. The Bodoni Font is classified among the so-called neoclassical, modern roman, or Didone. Walbaum, a wider and more rounded Didone, is based on the designs of the German printmaker Justus Erich Walbaum that follows the Didot line more than the Bodoni. Turino is a revival of the early 20th century produced by the Nebiolo foundry with its gargantuan finials and other terminal flourishes, while the Didi ITC is an exaggerated form of Didone that was created in 1970 by Bonder and Carnase for use in routines.

These characteristics were illustrated in the work of Giambattista Bodoni, who took the French types of Fournier and Didot and refined them to give them the characteristics that have been explained above.įirmin Didot had produced the first Didone Ide type, there the name of the group in the 1780s, with very fine finishes and hard ones with characters between thick and fine features that took advantage of the best operations in the quality of the paper and the Print. Here there is extreme contrast between the thick and the fine features: the finials of the lower case letters are horizontal and often unfertilized, the emphasis, or axis inclination of the letters, is totally vertical. The precursors of a similar style were the typefaces of Pierre Simon Fournier and Didot. His designer, Giambattista Bodoni (Parma, 1740-1813) was named King of Printers thanks to the exquisite quality of his prints. The font was designed and maintained by Owen Earl, founder of the “Indestructible Type” font foundry.īodoni is a key typeface within the modern style that appeared at the end of the 18th century and which represents the culmination of 300 years of evolution of the Roman typeface. It is inspired by the designs of Giambattista Bodoni. Bodoni Font is an original serif typeface created by Indestructible Type.

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